-40%

1924 LEO REISMAN Orch HEARTACHES Fox Trot MAYBE Columbia 75-D 78 x

$ 13.19

Availability: 100 in stock
  • Item must be returned within: 30 Days
  • Refund will be given as: Money Back
  • Genre: Jazz
  • Speed: 78 RPM
  • Style: Bebop
  • Record Size: 10"
  • All returns accepted: Returns Accepted
  • Return shipping will be paid by: Seller
  • Condition: Used
  • Restocking Fee: No

    Description

    Shipping: All items will be packed safely in a sturdy package for safe shipping.
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    Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high and for INTERNATIONAL BUYERS: In Cart click REQUEST TOTAL, and I will send you an invoice. Lower priced options available for International Shipping.
    A series of great  JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records
    Leo Reisman and his Orchestra one of the great band leaders of the 1920s and 1930s
    in one of his first Columbia records
    Maybe Fox trot
    Roy Turk (composer)
    Ted Snyder (composer)
    Fred Ahlert (composer)
    Heartaches Fox trot
    A. Fred Phillips (songwriter)
    Johnny Hyde (songwriter)
    Moe Schenk (songwriter)
    Leo Reisman Orchestra (Musical group)
    Leo Reisman (leader)
    1/13/1924 New York, New York
    Orig Issue Flag label
    10" 78 rpm record
    Condition:
    EXCELLENT close to PRISTINE, faint scuffs, plays EXCEPTIONALLY quiet faintest ticks
    A CHOICE COPY
    Leo Reisman Orch.
    b. 1897, Boston MA, USA. d. Dec. 18, 1961
    Violin/bandleader
    Theme Song: "What is This Thing Called Love"
    Overview
    Leo was a truly fine violinist and pianist. Reisman began his study of the violin at age 10, and two years later, at just age 12, he was playing in Boston's 'Bijou Dream Theater' as well as demonstrating music to prospective customers in various music shops. (In those days, a pianist would audition the music before the customer bought it.) He won a scholarship to the New England Conservatory of Music, and subsequently became First Violinist with the Baltimore Symphony. Composer Jerome Kern called Reisman's orchestra "the String Quartet of Dance Bands".
    He deserted Classical music to start his own dance music orchestra, that played in hotels and toured the Keith Vaudeville circuit. The band was mostly tuned to playing good dance arrangments and show tunes for the 'high society' crowd. In 1919, and for the next 10 years, the band was resident in the Egyptian Room of Boston's Hotel Brunswick. It is interesting to note Reisman playing his violin in the early version, and playing the piano in the later photo. In 1928, Leo hired the 2-piano team of Eddy Duchin, Eddy Duchin and Nat Brandwynne. Both of whom went on to front their own orchestras. In 1929, when he left the Brunswick, he next played in New York's Central Park Casino (where his twin pianists of Brandwynne and Duchin were so popular), after which he was resident for a lengthy stay at New York's prestigious Waldorf-Astoria Hotel, and was on the air for the Philip Morris Cigarettes radio program.
    In 1932, Lee Wiley, Fred Astaire and Harold Arlen were the band's vocalists. (Lee and Leo were quite friendly, Harold Arlen went on to become of of the world's great composers and Fred Astaire, - well he would go on to do "a little dancing in Hollywood"). Trumpeter Max Kaminsky was with Leo during this period. Another trumpeter, Bubba Miley, who was to go on to fame with the Duke Ellington band was also with Leo, as was Johnny Dunn. In 1937, the Leo Reisman orchestra traveled to Paris, France, for the International Exposition. In 1939, Dinah Shore sang with the band during their booking in the Strand Theatre in New York City.
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